{"id":32434,"date":"2023-02-20T08:48:14","date_gmt":"2023-02-20T08:48:14","guid":{"rendered":"https:\/\/philharmonia.lviv.ua\/?p=32434"},"modified":"2023-02-21T13:57:32","modified_gmt":"2023-02-21T13:57:32","slug":"new-york-concert-review","status":"publish","type":"post","link":"https:\/\/philharmonia.lviv.ua\/en\/announcements\/new-york-concert-review\/","title":{"rendered":"”New York Concert Review” on the Lviv Philharmonic Orchestra’s performance at Carnegie Hall"},"content":{"rendered":"

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A new review of “New York Concert Review” tells<\/a> about the performance of the Lviv National Philharmonic Orchestra at Carnegie Hall. Reviewer Barrett Cobb reports that it was his “most memorable concert. It was both heart-warming and heart-rending”.<\/strong><\/p>\n

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About Brahms’ Piano Concerto No. 1 with the solo of the outstanding pianist Stanislav Khristenko, a music journalist points out: “Mr<\/em> Khristenko<\/em>\u00a0flew over the keyboard with ease, tossing off virtuosic passages and soothing us with his warm sound. For an encore he amazed and enthralled us with Horowitz\u2019s Variations on a Theme from Bizet\u2019s Carmen, a highly entertaining and fiendishly difficult piece.<\/em><\/span><\/p>\n

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\u0410\u043a\u0430\u0434\u0435\u043c\u0456\u0447\u043d\u0438\u0439 \u0441\u0438\u043c\u0444\u043e\u043d\u0456\u0447\u043d\u0438\u0439 \u043e\u0440\u043a\u0435\u0441\u0442\u0440 \u041b\u044c\u0432\u0456\u0432\u0441\u044c\u043a\u043e\u0457 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0457 \u0444\u0456\u043b\u0430\u0440\u043c\u043e\u043d\u0456\u0457. \u0414\u0438\u0440\u0438\u0433\u0435\u043d\u0442: \u0422\u0435\u043e\u0434\u043e\u0440 \u041a\u0443\u0445\u0430\u0440, \u0441\u043e\u043b\u0456\u0441\u0442: \u0421\u0442\u0430\u043d\u0456\u0441\u043b\u0430\u0432 \u0425\u0440\u0438\u0441\u0442\u0435\u043d\u043a\u043e<\/p><\/div>\n

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The critic was also particularly impressed by the democratic relationship between the conductor and the orchestra, which he noticed in the example of Dvo\u0159\u00e1k’s Ninth Symphony:<\/p>\n

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At the symphony\u2019s conclusion there was a long ovation. At this point it is usual for the conductor to give solo bows to principal players. At first, it felt a little disconcerting that this didn\u2019t happen, but then I realized that this was truly democracy and equality in action. Any individual recognition might have detracted from the feeling of group unity. Nevertheless, I felt a little disappointed that I didn\u2019t get to cheer as loud as I could through my K95 mask for the most eloquent and poignant playing of the English horn solo I have ever heard.<\/p>\n<\/blockquote>\n

For an encore the listeners were treated to the Ukrainian composer Anatolii Kos-Anatolskyi\u2019s “<\/span>Chasing the Wind”<\/span><\/i> from his ballet, “<\/span>The Jay\u2019s Wing”<\/span><\/i>. This rollicking dance was performed with great verve and abandon. There ensued a long ovation in the sold-out hall during which a large banner, which was a combination of both the American the Ukrainian flags, was unfurled by brass players at the back of the orchestra. It brought a tear to the eye and a strange joy laced with pain.<\/span><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

A new review of “New York Concert Review” tells about the performance of the Lviv…<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[44],"class_list":["post-32434","post","type-post","status-publish","format-standard","hentry","category-announcements","tag-44"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t